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Your Brain Doesn’t Want You to Progress — It Wants You to Get Stuck

  Your Brain Doesn’t Want You to Progress — It Wants You to Get Stuck. A Reflection by Victor Ursabia I’ve learned through years of teaching dance that the greatest obstacle to progress is not the body—it is the brain. The body, when trained with patience and care, adapts beautifully. It listens. It learns. But the brain… the brain wants comfort. It wants familiarity. It wants you to stay where you are. Our brains are designed for safety, not growth. They cling to the known, even if the known is limiting. That is why, when we begin to change—when we correct a posture, refine a movement, or attempt something new—the mind resists. It whispers: “This feels wrong.” But that discomfort is not a sign of failure; it is the exact moment transformation begins. In dance training, I see this every day. A student struggles to hold balance, to extend with control, or to move with fluidity. Their brain sends signals of frustration and fear, trying to protect them from the unknown. But ...

The Teacher as Witness: Guiding Growth with Compassion and Awareness

The Teacher as Witness: Guiding Growth with Compassion and Awareness “To teach is not to mold, but to witness transformation—to see another becoming who they truly are.” In dance, the teacher holds a sacred role. Beyond shaping movement and technique, the teacher becomes a witness —someone who sees the dancer’s struggle, growth, and awakening. This act of witnessing is not passive; it is deeply active, requiring compassion, attentiveness, and humility. To be a witness is to honor the journey of another without controlling its direction—to guide with intention but also to allow space for individuality, discovery, and self-expression. 1. Teaching Beyond Technique Initially, a teacher trains body alignment , placement , and coordination. Although the dancer grows, the teacher's job deepens. They begin to shape awareness, artistry, and inner life. They recognize that true learning is not about memorizing shapes but about understanding oneself through motion. Technique, in thi...

VGU dance studio: Combined Pedagogical Approaches in Dance Teaching

Combined Pedagogical Approaches in Dance Teaching 1. Constructivist + Inquiry-Based Approach Definition: Constructivist: Learners build knowledge through active engagement and reflection. Inquiry-Based: Learning starts with questions or problems that students explore and solve. Explanation: These approaches empower dancers to explore how and why movement works. Instead of receiving fixed answers, students ask questions like “What helps me stay balanced?” and then experiment with their bodies to discover solutions. Application in Ballet: A teacher guides students to explore turnout or alignment through questions and encourages them to analyze what feels most effective. Students are led to discover , not just imitate. How It Enhances Learning: Fosters independence and critical thinking Deepens understanding of body mechanics and artistry Builds creative problem-solving in technical execution 2. Collaborative + Integrative Approach Definition: Collaborative: Studen...

Our ballet system as Filipino

At VGU Dance Studio, I am deeply committed to integrating core Filipino values into our ballet training system. This approach enhances our students' technical skills and instills a profound connection to our rich cultural heritage. ​  Core Filipino Values in Our Ballet Training System 1. BAYANIHAN (Communal Unity and Cooperation) We cultivate a collaborative environment where students support each other during rehearsals and performances. Group exercises that require synchronization and mutual assistance embody the spirit of bayanihan, fostering teamwork and a sense of community within the studio. ​ Incorporating Bayanihan into Our Ballet Training: Collaborative Learning: I encourage students to support one another during rehearsals and performances. This includes sharing constructive feedback, assisting peers in mastering challenging movements, and celebrating each other's progress. ​ Community Engagement: We participate in community events and outreach programs, usi...

Let your movements paint a picture and your soul tell the story.

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Allow your actions to create a visual and your spirit to convey the narrative. When I say, "Let your movements paint a picture and your soul tell the story," I mean that dance is more than just technique—it’s an art form that speaks without words. Every movement we make on stage should create a visual image, much like a painter uses brushstrokes to bring a canvas to life. Whether it’s the elegance of an arabesque, the strength of a jump, or the fluidity of a turn, each step should convey meaning and emotion. Our bodies act as the brush, sculpting the narrative we aim to convey to our viewers. But movement alone isn’t enough. The true heart of dance comes from within. That’s where the soul comes in. Technique gives us the tools to express ourselves, but it’s our passion, our struggles, our joy, and our experiences that breathe life into each step. When we dance, we should not only focus on perfect execution but also on feeling every moment deeply. A performance becomes powerf...

The journey is the destination

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The journey is just as important—if not more important—than the destination. It reflects a mindset that values process, effort, and personal growth rather than merely focusing on the end goal. 1. The Importance of the Journey Often, people are so fixated on their goals that they neglect the steps necessary to achieve them. However, true success is built upon the lessons, challenges, and transformations that occur along the way. Whether in dance, education, career, or personal life, the experiences and discipline developed through the process shape one's character and abilities. 2. Growth Through Challenges If we only focus on reaching the destination, we may overlook the struggles, failures, and corrections that refine us. In ballet, for example, a dancer must practice tirelessly to perfect technique, build strength, and develop artistry. The real value is not just in performing on stage but in the hours of dedication, perseverance, and resilience cultivated during training. 3. Fin...

Bunions in Dancers: Causes, Effects, and Prevention

  Bunions in Dancers: Causes, Effects, and Prevention Bunions, medically known as  hallux valgus , are a common foot deformity among dancers, particularly ballet and Irish step dancers, due to the unique stresses these disciplines place on the feet. While bunions can be hereditary, meaning some dancers may be genetically predisposed to developing them, environmental factors and improper technique often accelerate their formation. A bunion develops when excessive pressure is placed on the first metatarsal joint, located at the base of the big toe, causing structural changes in the foot. Factors Contributing to Bunions in Dancers Ill-Fitting Pointe Shoes A pointe shoe with a box that is too narrow compresses the toes, forcing the big toe joint inward and increasing pressure on the medial side of the foot. Over time, this pressure can cause irritation, leading to inflammation and eventually the formation of a bunion. Pronation and Poor Alignment When a dancer’s foot rolls inward ...